- 摘 要
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［摘要］盡管藝術(shù)家和結(jié)構(gòu)工程師的工作目的有很大的區(qū)別，但他們的工作過程卻有著相同的特征，這主要體現(xiàn)在初步設(shè)計階段。而且藝術(shù)家在某些新型結(jié)構(gòu)領(lǐng)域往往走在前列，尤其是在張拉整體這一領(lǐng)域。本文對這一方面進行了闡述，從藝術(shù)和結(jié)構(gòu)工程、藝術(shù)家和結(jié)構(gòu)工程師之間關(guān)系出發(fā)，逐漸形成了與張拉整體體系這一結(jié)構(gòu)形態(tài)學(xué)相關(guān)的某些主要特征。第3節(jié)對已經(jīng)實現(xiàn)的或者計劃中的張拉整體體系工程進行了介紹。
［關(guān)鍵詞］藝術(shù)；結(jié)構(gòu)工程；張拉整體
中圖分類號：TU399文獻標(biāo)識碼：A文章編號：1002-848X(2011)12-0012-08
Tensegrity: from art to structural engineering
René Motro(University of Montpellier France，F(xiàn)rance)
Abstract:Even if the objectives of artists and civil engineers are quite different, their processes have common features, mainly during the early design stages. Moreover artists are pioneers in some innovative structural compositions. This is particularly true for tensegrity, and this article illustrates this fact. Beginning with the relation between art and structural engineering, between artists and engineers, we develop then some of the main characteristics linked with the structural morphology of tensegrity systems. The third part is devoted to the description of examples of realized and projected tensegrity systems.
Keywords:art；structural engineering；tensegrity
作者簡介：René Motro，法國蒙彼利埃大學(xué)名譽教授，國際薄殼與空間結(jié)構(gòu)協(xié)會副主席。
注：本文由同濟大學(xué)建筑工程系呂佳、楊彬譯。
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